New works 2022

Mattia Bonetti

Oct-Nov 2022

David Gill Gallery is delighted to announce ‘Rebuilding Reason’.

Continuing an exploration of antiquity, Errazuriz creates works that explore eternal notions of human experience, scale and proportion. Abstracting ancient sculptures, Errazuriz reevaluates our relationship to immediately recognisable canons of art, blurring boundaries between technology, design and craft.

Sculptures that once adorned archaeological sites now serve as structural elements for everyday objects. Figures from classical friezes morph into table bases and shelf supports, while curated artifacts are integrated into furniture. This act of appropriation and transformation brings a new narrative to traditional forms and creates a dialogue between the monumental and the intimate.

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Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

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Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

Buffet ‘Frieze’ | 2018

Marble, marble composite, wood

VIEW details

ARTIST

MATTIA BONETTI
MATTIA BONETTI (born 1952) is a Paris-based artist and designer. His work has been called whimsical, surreal and unique. Consistently merging the boundaries between art and design, Bonetti, who was born in Lugano, Switzerland, initially studied textile design at the Centro Scolastico per l’Industria Artistica. Moving to Paris in 1972, Bonetti initially worked within his chosen field of textile design, but then developed a career as a stylist and photographer. Working in black and white film, Bonetti would shoot miniature interiors that he had made by hand, which in turn led to his love of furniture. Bonetti’s work has always begun with a free-hand sketch, which is then fabricated in materials including patinated bronze, gilding, acrylic, wood, rock crystal, marble, glass and gemstones. In the 1970s Bonetti met the designer Elizabeth Garouste, and their partnership began with the interior décor of the famous Parisian nightclub Le Palace and restaurant Le Privilege. Employing a neo-Baroque language, blended with prehistoric and primitive touches, Bonetti’s terracotta masks were labelled “Barbarian design.” The pair set the pace for cutting edge Parisian design, creating a unique and inventive neo-Baroque language that was to become synonymous with themost sophisticated continental contemporary interior and furniture design. In 1987 Garouste and Bonetti began work with Christian Lacroix on his couture house interior. Employing cushions and curtains in ochre with rococo swishes of black, French 18th Century chairs were upholstered in electric blue, lilac, orange and raspberry. Hot-red consoles were given branches for legs and stools were designed to DISCOVER MORE